高清福利片

听is Professor of Digital Humanities at the Northern Institute, Charles Darwin University and co-founder of Miyarrka Media, an arts collective based in east Arnhem Land. Her research career has been supported by a number of fellowships including a Macquarie University Research Fellowship, an ARC Post-doc and Future Fellowship, and visiting fellowships including the Centre for Religion and Media, New York University, The Eye & Mind Lab, Aarhus University, and Aarhus University Research on the Anthropocene (AURA). Her recent work includes听Feral Atlas: The More-Than-Human Anthropocene听(Tsing, Anna L., Jennifer Deger, Alder Keleman Saxena and Feifei Zhou, Stanford University Press) which she co-curated for exhibition at the听Istanbul Biennial听The Seventh Continent听and the Sharjah Architecture Triennial听Rights of Future Generations in 2019 with Victoria Baskin Coffey. Alongside long-time collaborator Paul Gurrumuruwuy, Jennifer has made a number of films including听Manapanmirr, in Christmas Spirit听(2012) and听Ringtone(2014) and curated exhibitions in the USA, Taiwan, Denmark and Australia. In 2020 Miyarrka Media鈥檚听Phone & Spear: a Yuta Anthropology听won the Gregory Bateson Book Prize from the US Society for Cultural Anthropology听and the AAANZ Best Artist-led Publication. The collective鈥檚 new ARC-funded project听Rangingur: a Yolngu digital art of renewalcontinues their shared exploration of entangled digital and environmental ecologies.

Thom van Dooren听is Associate Professor and Australian Research Council Future Fellow (2017-2021) in the Department of Gender and Cultural Studies at the University of Sydney. His research and writing focus on some of the many philosophical, ethical, cultural, and political issues that arise in the context of species extinctions and human entanglements with threatened species and places. He is the author of听The Wake of Crows: Living and Dying in Shared Worlds听(Columbia, 2019), and co-editor of听Extinction Studies: Stories of Time, Death, and Generations听(Columbia, 2017).