Event partner
Event_
Ocean鈥檚 forms: process, structure, and imagination at sea
A Sydney Ideas and Sydney Environment Institute event.
Void. Mirror. Sanctuary. Habitat. Drowned Earth. Saltwater country. These represent a tiny fraction of the ideas and images the ocean has been seen to express. This聽Sydney Ideas聽seminar will gather insights from philosophy, marine geoscience, art, and literature to explore how different ways of knowing the sea have informed one another, and how they might inform one another in the future.
Science can explain how waves activate oceanic forms, and how those forms affect lives, sands, reefs, and coastlines. Through poetry and art, it鈥檚 possible to witness how waves and other sea-structures have stimulated imaginations to move beyond the limits of the shore. Truly thinking past terrestrial boundaries requires new connections among ethics, natural science, and creative practice.
This event was held at the University of Sydney on Tuesday 8 May 2018 in partnership with Sydney Ideas.聽
Listen to the podcast
Speakers
Killian Quigley聽is a postdoctoral research fellow at the Sydney Environment Institute. He completed his PhD in English at Vanderbilt University in 2016. He is co-editing, with Margaret Cohen,听Senses of the Submarine: A Cultural History of the Undersea. Killian鈥檚 writings have appeared recently in聽MAKE,听Eighteenth-Century Life,听The Eighteenth Century, the newsletter of the Australian Coral Reef Society, and SEI鈥檚 blog. He convenes the聽Reading Environments聽group at the University of Sydney, and is at work on a poetic and aesthetic history of the ocean entitled聽Seascape and the Submarine.
Ana Vila Concejo. My career started in Spain, where I did my undergraduate and MSc studying urban beaches at the University of Vigo; and Portugal, where I completed my PhD at the University of Algarve investigating the short and medium term evolution of tidal inlets in a barrier island system. Then I moved to Australia and started looking into the morphodynamics of flood-tide deltas in wave-dominated coasts within the framework of an ARC funded linkage project which was based in Port Stephens. In 2010 I started researching the morphodynamics of coral reefs, particularly the processes that transport and accumulate sand in backreef environments and the role that reefs have as wave dissipaters. In 2011 I was awarded an ARC Future Fellowship to support my coral reefs morphodynamics research and to continue the studies in the聽dynamics of coral sands. I am the Deputy Director of聽One Tree Island Research Station; between 2012 and 2015 I was the Director.
聽is a multi-skilled contemporary artist, whose practice includes painting, printmaking, sculpture and design. The graphic style in his practice combines his Torres Strait Islander heritage with a strong passion for experimentation, both in theoretical approach and medium, as well as crossing the boundaries between reality and fantasy. The results combine styles as diverse as graffiti art through to intricate relief carvings and construction sculpture echoing images of Torres Strait cultural motifs, objects and activity.
Susan Reid聽is a PhD candidate in the School of Philosophical and Historical Inquiry, Department of Gender and Cultural Studies at the University of Sydney, where she is researching ocean justice, relationalities and juridical imaginaries. Susan is an artist, curator, arts developer and lawyer, and is active with a number of national environmental and climate action advocacy groups.
Header image:聽by Michael Olsen via Unsplash.聽