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The museum is a Partner at this year鈥檚 Biennale of Sydney, Ten Thousand Suns, a free exhibition which runs from 9 March until 10 June.

The partnership brings to New South Wales Arthur Bropho, Alma Cuttabut, Parnell Dempster, Phillip Jackson, Gregory Kelly, Edie Wallam and a group of 鈥榦nce known鈥� artists, Australian Stolen Generation children presented by The Carrolup Centre for Truth-telling. The Carrolup child artists were forcibly removed from their families and detained against their will at the Carrolup Native Settlement in the 1940s, along with hundreds of Aboriginal children from across Western Australia.聽 Only six of the eleven Carrolup child artists are identified by name 鈥� making the sharing of this story so important in identifying the 鈥榦nce known鈥� children to connect their living descendants with their ancestor鈥檚 artwork.

Works by four artists have been commissioned by the Biennale of Sydney:

Mangala Bai Maravi (India) is in residence at the University of Sydney College of the Arts, working on a series of paintings that replicate the tattooing traditions of her ethnic group, the Baiga, on a larger scale. Women of the Baiga tribe, based in central India, receive tattoos known as Godna from as young as nine. The longstanding practice has ties to Hindu mythology and has come under threat in recent years due to the displacement of the Baiga people.聽 Maravi is accompanied by her assistant Amit Arjel-Sharma.聽

Citra Sasmita (Indonesia) will present a major new painting installation as part of her ongoing series, the Timur Merah Project. Established by the artist in 2019, the project reframes historical texts and cultural materials which objectify or omit the role of women in Balinese society. Sasmita鈥檚 interpretation of traditional Kamasan paintings will be rendered on three large scale canvas works. 聽

Choy Ka Fai (Singapore/Germany) is presenting a video work, Exodus, part of an ongoing project, CosmicWander, exploring coloniality, dance and trance culture in Asia. It experiments with 鈥業ndoRock鈥� of the Netherlands and the Indonesian trance dance of 鈥楧olalak鈥�, considering their influence on Indonesian pop culture and the world of pop music. 聽

Ni帽o de Elche & Pedro G. Romero (Spain) are creating a sound installation for the 24th Biennale of Sydney, building on a collaboration which examines and reframes traditional flamenco music. Combining de Elche鈥檚 training as a cantaor (flamenco singer) and Romero鈥檚 accomplishments as a visual artist and filmmaker, the duo will produce a 鈥榤ap鈥� of sound that charts antipodean connection and Old Galleon Trade routes. 聽

Other works at the Chau Chak Wing Museum for the Biennale of Sydney are:

An archival video of poet and artist Diane Burns (Anishinaabe/Chemehuev, USA, 1956-2006) reciting her beat poem Alphabet City Serenade. An Indigenous artist, Burns became a member of the Lower East Side poetry community in the 1980s. Recorded for television, Alphabet City Serenade repudiates the effects of capitalism and gentrification on downtown New York City, where Burns lived and worked. 聽

Photography by William Yang (Australia), known for his depictions of Australia鈥檚 queer scene in the late 1970s and 1980s. With a practice spanning more than five decades, Yang鈥檚 repertoire includes theatre performances using spoken word, slide projection and music. 聽

Paintings by Martin Wong (USA, 1946-1999), a renowned countercultural voice who wove narratives of queer existence, marginal communities and urban gentrification during the 1970s, 80s and 90s. Wong鈥檚 practice merged Chinese iconography, urban poetry, carceral (relating to prison) aesthetics and sign language. It also drew on the Latin American community he was closely involved with. 聽

Paintings by Juan Davila (Chile/Australia), who uses the medium to debate aesthetics, politics and sexuality. Davila draws on the rich and varied histories in Latin America, Australia, Europe and North America. 聽

鈥淲e鈥檙e incredibly proud to bring such diverse artists to the museum as a first-time partner to Sydney鈥檚 most global visual arts events,鈥� said Michael Dagostino, Director of Museums and Cultural Engagement at the University of Sydney. 聽

鈥淭丑别 museum opened in 2020 with the intention of better maintaining and displaying the University of Sydney鈥檚 vast collections but also to host national and international exhibitions of the highest calibre. We鈥檙e confident our partnership will further establish the Chau Chak Wing Museum as an important part of Sydney鈥檚 cultural landscape.鈥�

The museum is one of seven locations hosting this year鈥檚 Biennale of Sydney, alongside the Art Gallery of New South Wales, Sydney Opera House, White Bay Power Station, UNSW Galleries, the Museum of Contemporary Art and Artspace.

Exhibition details

What: 24th Biennale of Sydney, Ten Thousand Suns, at the Chau Chak Wing Museum

Where: University Place, The University of Sydney, 聽

When: from 9 March until 10 June 2024

Opening hours: Monday to Friday, 10am-5pm (until 9pm on Thursdays); Saturday and Sunday, 12-4pm

Cost: Free