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Cultural advice: Aboriginal and Torres Strait Islander visitors are advised that this display and article contains images and references to deceased persons.

It鈥檚 hard to miss the picture of Barbara McGrady when entering the Mezzanine at the Chau Chak Wing Museum. The photograph, taken by Barbara herself, captures her reflection in a mirror at the cherished Glebe landmark, the Badde Manors cafe.

Beyond her self-portrait begins a journey through Barbara鈥檚 most memorable moments in time鈥� from her humble start with a chemist camera to her award-winning collection brimming with famous names, places, and events.

"I hope that when people look at my images, they see what deadly people we are and always have been,鈥� Barbara said. 鈥淎nd I'm a great believer in showing that.鈥�

Barbara鈥檚 love for photography led her to pursue photojournalism, where she spent 30 years documenting elite sports, activism, events, and other "odd jobs鈥�. In 2009, she chased another passion for anthropology and started studying at the University of Sydney, but photography was never far away.听

鈥淚 was always interested in photography, and of course I was the family photographer and things like that. Whenever I could get a hold of the camera or a little chemist camera,鈥� Barbara said. 鈥淚t鈥檚 not really a career, it鈥檚 just something I've always done. And if people paid me for it, well, I must be doing it right.鈥�

Some of her renowned works on display in the听Australia has a Black History听exhibit commemorate her connections with First Nations sports legends like Anthony Mundine and Ash Barty. But it鈥檚 not all sport, the exhibit also captures the many times First Nations people were forced to make a stand.

鈥淟ots of Rugby Leage and AFL, of course. I have always been into rugby league. My father played rugby league in the 1920s,鈥� Barbara said. 鈥淏ut also lots of big, big rallies and big protests, lots of big conferences.鈥�

At times, the themes in the exhibit interplay. Like in an image where retired boxer, the late Wally Carr, showed support for the Aboriginal Tent Embassy in Redfern, a meeting place for activists and protesters.听鈥淭he late Wally Carr was an old friend as well as a local Redfern identity, so it was good to see him at the Redfern Tent Embassy at The Block,鈥� Barbara said. 鈥淚t was an incredible two years of bearing witness and photographing the protest for better outcomes for Indigenous people."

Barbara's presence extended to pivotal moments in history, including her coverage of the听Closing the Gap rallies in Redfern, the Black Lives Matter protests in Martin Place, and the Grandmothers Against Removalists group fearlessly staging outside Parliament House.

"I'm an old activist from a long time ago,鈥� Barbara explained. 鈥淎ctually, I stood up for everyone, not just all Aboriginal people, but for the underdogs all the time. So I suppose it stemmed from there.鈥�

Lily Thomas-McKnight, the exhibition curator and current University of Sydney student, explored the relationships in Barbara鈥檚 archive when she began bringing the exhibition to life. 鈥淲hen we had the photos, we thought it would be best to categorise them, even if they all still kind of overlap,鈥� she said. 鈥淵eah, all of it pretty much relates to community and the importance of empowering First Nations people."

Lily also highlighted the emotional depth of Barbara's photographs. 鈥淎unty Barbara knows most of the subjects and the photos personally. So it just brings it to another level.鈥�

In other images, Barbara captured the cultural vibrancy of First Nations communities, as well as their success in film, music, and arts. For听Wiradjuri and Gomeroi听women like Lily, celebrating success is an important part of the narratives told in museum spaces.听

鈥淭he history of museums and galleries is quite ethnographic鈥�. It isn't always positive, usually, when this kind of thing is in a museum,鈥� Lily said. 鈥淏ut Barbara鈥檚 photos are not only听creating positive representation, they are also acknowledging the past without taking away that things still need to change.听

鈥淭his exhibition acknowledges how powerful and successful Aboriginal people are as well. It鈥檚 also a celebration.鈥�

Barbara anticipates that her photographs will resonate with visitors, hoping to inspire First Nations people to persevere.听鈥淎nd I know for a fact that some of the young Aboriginal people will walk past and say 鈥榯hat's my uncle. There. That's my real uncle鈥�,鈥� she said. 鈥淎nd because our truth has been erased from history, they can see my images and think, 鈥榳ell I can do that too鈥�.鈥�

But the Australia Has a Black History exhibit has something for all, Barbara said. 鈥淢y photos are not just Indigenous photos of Indigenous people; they are images for all of Australia's historical peoples and events throughout history. As a longtime photojournalist I see my images as stories of time and place, of culture and community in the public domain.鈥�

'Barbara McGrady: Australia Has a Black History' is open听until 4 August 2024 on level 4 of the Chau Chak Wing Museum.

Address:听Level 4 Mezzanine, Chau Chak Wing Museum, University Place, University of Sydney, Camperdown

Opening hours:听10am-5pm, Monday to Friday (until 9pm on Thursday); 12-4pm weekends; closed on public holidays.

颁辞蝉迟:听Free

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Hero image:听Remember TJ Hickey 鈥� Gail Hickey (mother of TJ) & family protest for justice for her son, Redfern Park 2014听by Barbara McGrady