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脰mie barkcloth: Pathways of nioge 鈥� opening today at the Chau Chak Wing Museum (CCWM) 鈥� shows one of the largest public collections of stylistically vibrant contemporary barkcloth art made by the 脰mie people of Northern (Oro) Province, PNG.听听听听听听 听

Almost all 35 artists featured in the show are women, who produce the cloth and source and make pigments from local rainforest resources. Barkcloth is painted with designs featuring strong graphic black outlines its artists describe as or 别蝉别别驳茅 (pathways) which are in-filled with earthy and bright natural colours.听

The artistic style and process dates back thousands of years but the work in the 脰mie barkcloth exhibition was made between 2002 and 2016, a period which saw an international market for the artworks flourish. In 2002, 脰mie makers began discussions with Australian art dealer David Baker about selling their works to provide vital income for families, while also maintaining their traditions.听听

A return visit by Baker in 2004, with Australian writer Drusilla Modjeska, marked the beginnings an artists鈥� cooperative, 脰mie Nemiss Inc. (now called 脰mie Artists Inc.) and an international market for 脰mie artists. 脰mie barkcloth is now sold in Australia and internationally and has enabled the local community to participate in Papua New Guinea's cash economy. 听

Modjeska documented aspects of the production of the cloth during her 2004 visit, developing close ties with artists and writing essays for the first exhibitions of 脰mie works staged in Australia, from 2006 to 2009. 听

鈥淢eeting with 脰mie women was a profound learning experience,鈥� said Modjeska, who drew on her time with 脰mie artists when writing The Mountain, a novel shortlisted for the 2013 Miles Franklin Literary Award. 鈥淥n the gallery walls in Sydney, their nioge (barkcloth) can hang as contemporary art. Yet, even in this radically different context, they resonate with the poetry of their sacred mountain, Huvaimo, and the vastness of 脰mie wisdom.鈥� 听

Many of the works featured in 脰mie barkcloth were part of the private collection of David Baker (d.2009), gifted to the museum from his estate via fellow Pacific-arts collector and dealer, Todd Barlin some years later. They are part of the CCWM鈥檚 Macleay Collection. 听

鈥淭he barkcloths are individually beautiful, stunning en masse, and it鈥檚 great to see the work of so many named female artists from PNG recognised. The show particularly highlights early work, from the start of the movement to market 脰mie nioge to the wider world,鈥� said CCWM Ethnography Curator Rebecca Conway.听 听

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Exhibition details

What: 脰mie barkcloth: Pathways of nioge

Where: Ian Potter Gallery, Chau Chak Wing Museum, University of Sydney, Camperdown, NSW

When: 9 January until November 2023

Opening Hours: Monday-Friday, 10am-5pm (until 9pm on Thursdays); Saturday and Sunday, 12-4pm

Cost: Free

Banner Image: Odunaig枚鈥檈; ohu鈥檕 sabuahe [脰dae jungle vines with thorns and tendrils; and spots of the wood-boring grub] 2004; Mary Naumo, Duvahe Emat茅 magonahe (Chief of Emat茅 clan women);听University of Sydney, ET2018.75.听