First Songs: Heralding First Nation voices
Students from the Sydney Conservatorium of Music鈥檚 Contemporary, Composition for Creative Industries and Classical performance degrees have collaborated with Indigenous-Artists-in-Residence Nardi Simpson and Troy Russell to produce a collection of works celebrating contemporary First Nation鈥檚 music. Presented by the Con鈥檚 New Music Ensemble, the concert also features new music by emerging Gamilaraay singer-songwriter and contemporary music student Amelia Thompson.
One of the provocative works on the program is 鈥楲ullabies for Blak Babies鈥� written by Nardi Simpson. It takes five common Aboriginal protest chants 鈥� Pay the Rent, Still Waitin, They Say Justice, Too Many Coppers & Wadda We Want. Simpson weaves them into lullabies to be sung by a 鈥榳hite鈥� classical singer to an imagined Indigenous child to achieve a stark juxtaposition of content and delivery.
听
These confronting sentences are part of the colonial inheritance of our blak babies. By placing these ideas within a baby鈥檚 body, parents pass on the baton of resistance to your young, just as our parents and grandparents have done for us.
鈥淗owever, I hope to keep listeners guessing as to who is performing the role of parenting our kids. These lullabies give our children uneasy rest on the bed of Black Deaths in Custody, Land Rights, Stolen Generations and Unceded Sovereignty.鈥澨�
Final-year student Amelia Thompson has stepped out of her usual context as a contemporary music singer to perform in front of a small orchestra drawn from the Con鈥檚 classical performance students.
Thompson offers her voice to two of Troy Russell鈥檚 songs in a generous intergenerational gesture and addresses questions of identity and connection in her own work. 鈥淢y songs are about how it feels to be a younger Aboriginal person today.鈥�, She comments on one of her songs, in the context of trying to figure out how her generation fits in and appears- 鈥楽till Tea鈥�: 鈥渘o matter how much milk you put into tea, it is still tea.鈥�
The featured First Nations artists have collaborated with students from the Composition for Creative Industries degree who have assisted with orchestrating the music for the large ensemble. Project director Damien Ricketson states: 鈥淚n creating a space for new First Nations music to flourish, we鈥檝e also opened a space for different musical specialisations at the Con to interact and support one another. It is an honour to present this all First-Nations program on a site that has witnessed the making of music and culture for millennia before us.鈥�
First Songs
7 pm, Thu 3rd听November, Music Workshop, Sydney Conservatorium of Music
Program:
Troy Russell 鈥撎�The First Shot
Troy Russell 鈥撎�You Don鈥檛 Know
Troy Russell 鈥撎�Nucoorilma
Troy Russell 鈥撎�The Chant
Nardi Simpson 鈥撎�Lullabies for Blak Babies
Nardi Simpson 鈥撎�The Binary听
Amelia Thompson 鈥撎�Still Tea
Amelia Thompson 鈥� Take Me Home
Project director 鈥� Damien Ricketson
Conductor 鈥撎鼼eorge Ellis
Arrangements &听orchestrations 鈥� Tim Doubinski & Harry O鈥橞rien
Classical voice 鈥� Ines Paxton听
Contemporary voice 鈥� Amelia Thompson