Five decades of scholarship in the visual arts and film
Edward Colless, Madame Gre and Alan Cholodenko in class at the RC Mills Building (1983).
The Department was , a gift from Australian Modernist artist John Wardell聽Power which also established a research library, public education program, a collection, and a residency scheme for Australian artists in Paris.
Today, the Department continues to attract students from around the world to study in the fields of fine arts, art history, film studies, museum studies and art curating.
鈥淪ince its first classes in 1968, the Department of Art History has been inspiring generations of students to engage with the rich history and theory of art and moving images,鈥� said , Dean of the .
鈥淭he Department has educated, trained and enthused a host of students of art history, film and visual culture who have gone on to important positions at museums, universities, and galleries, and inspired many more with a lifelong passion for art and film,鈥� said , current Chair of the .
鈥淭he breadth of teaching over the past 50 years has reflected the breadth of our research and expertise in art and visual culture from Australia, Asia, Europe and other places around the world,鈥� said , Director of the聽. 鈥淭he anniversary is an opportunity to honour the great minds who taught at the Department, as well as the great minds those teachers inspired.鈥澛�
For Richard Neville (BA 鈥�84 MA 鈥�89) seven years of study ignited in him a deep passion for archival research and nineteenth century Australian art and culture. For the past decade, he has worked as the Mitchell Librarian at the State Library of NSW, where he is responsible for the Library鈥檚 renowned Australian research collections. He has also curated numerous exhibitions and published widely on colonial art and society.
鈥淢y career seemed to happen after my time at the University of Sydney, without much planning, but absolutely based on what I learned there,鈥� he said.
Other graduates like Peter Raissis (BA 鈥�94) 鈥� the Senior Curator of Historical European Art at the Art Gallery of New South Wales 鈥� remember the Department鈥檚 teaching staff most fondly. 聽
鈥淟ectures by Virginia Spate, Anthony Bradley and made an indelible impression, opening my eyes and mind to the wonders of European art,鈥� he said. 聽
鈥淚 owe an enormous debt to their fine scholarship and inspired teaching. Their example instilled a spirit of rigorous critical inquiry and their approach never lost sight of the intensity of experience that can be had before the work of art.鈥�
For graduates like Sydney artist Agatha Gothe-Snape (BA (Hons) 鈥�03 BVArts 鈥�07 MVArts 鈥�11) it was simply the atmosphere and environment that provided their most memorable moments.
Her memories are of 鈥渄rifting through the Power Library, skulking in corridors, asking for extensions, obsessing over Alfred Jarry and Artaud鈥ll the while, understanding very little about what anyone was talking about.
鈥淚 can't imagine a better way to start a life of artistic enquiry 鈥� right in the thick of not knowing, always on the precipice of comprehension,鈥� she said.
Alumni, current and former staff, and friends of the Department will come together to share experiences of their studies at an anniversary celebration on Wednesday 31 October. Find out more and register .
