In the historic photographs section of the Macleay Collections, a large mounted photographic print shows two lighthouses standing together. The photographer鈥檚 name, barely visible in its impression in the bottom left corner, reads 鈥淐 Bayliss Photo Sydney鈥.
The Macquarie Lighthouses 鈥 old and new, c.1883, photograph by Charles Bayliss, Macleay Collections.
Charles Bayliss (1850鈥97) was a commercial landscape photographer in New South Wales. After an early career working for Beaufoy Merlin and Bernhardt Holtermann, he set up his own studio.聽
At a time when photography was out of reach of most people, scenic views were sold at the photographer鈥檚 studio and through agents such as stationers. They could be assembled into an album, mounted or framed. Views of Sydney, the Blue Mountains and the Jenolan Caves were popular subjects.
Bayliss鈥檚 photograph captures a brief moment in Sydney鈥檚 past when the old and new Macquarie lighthouses on South Head stood closely together. The original lighthouse, designed by Francis Greenway, had commenced operations in 1818. By the 1870s, the tower was dilapidated and there was a need for a larger light, too big for the existing building.
A new lighthouse, designed by colonial architect James Barnett, was constructed from November 1879, commencing operations on 1 June 1883. The original building was demolished soon after.
The new structure was based on the design of the old. As the Sydney Daily Telegraph reported on 27 February 1880, it was a 鈥済ood, well-balanced and effective design; and possessing a bold and striking outline it affords in itself an excellent land-mark by day鈥.
The new Macquarie lighthouse c.1883, photograph by Charles Bayliss, Macleay Collections.
After Bayliss鈥 death in 1897, the Australasian Photo-Review wrote of him: 鈥淎s a landscape photographer he had few equals and no superiors.鈥
This rare image will be featured in the new exhibition The Business of Photography, the opening show in a gallery dedicated to historic photography in the Chau Chak Wing Museum.
Jan Brazier is Curator, History, Macleay Collections.
This article originally appeared in Issue 25 of Muse Magazine.