高清福利片

false

/content/dam/corporate/images/faculty-of-arts-and-social-sciences/schools/slam/tap_angelagoh_skybluemythic2020_byzanwimberley.jpg

50%

Theatre and Performance Studies

Exploring culture and identity through performance

m-hero--style-2

440.138.2x.jpeg 880w, 1280.1280.jpeg 1280w, 800.251.2x.jpeg 1600w, 1440.451.2x.jpeg 2880w, 220.69.2x.jpeg 440w

false

Delve into a vibrant spectrum of drama and performance, including theatre, dance, and live art. From political rallies to sacred rituals and pop stars, we explore how performance shapes culture, history, and personal identity.

The Theatre and Performance Studies program at the University of Sydney attracts global academic visitors and boasts renowned research staff in theatre, dance, dramaturgy, and more.

Our graduates pursue diverse paths, from professional theatre, dance, and production management to drama teaching, arts administration, and beyond while others leverage the discipline's insights and research skills in fields like law, medicine, public administration, social justice, and foreign affairs. Many of our students pursue postgraduate study and become tertiary-level educators.

Our study offering

Theatre and Performance Studies looks at a broad range of aesthetic, social and everyday performances across theatre, dance or live art and the stage, to the performative dimensions of politics, sport, cinema and popular culture. Explore a range of different approaches to performance making, engage with professional artists-in-residence and learn how to document performative events and build these observations into a detailed critical analysis.

Undergraduate

*Available to all students studying the听Bachelor of Arts,听Bachelor of Economics听补苍诲听Bachelor of Visual Arts, as well as all combined听Bachelor of Advanced Studies听诲别驳谤别别蝉.鈥赌

Postgraduate Research

Current postgraduate research

  • Faryad Ali:听The Relationship between traditional performance forms and post-colonial theatre: A study of Kurdish Theatre鈥檚 hybridisation听(惭笔丑颈濒)
  • Neil Anderson:听The Goethean actor: Rudolf Steiner's indications听(PhD)
  • Tess de Quincey:听What can 'Body Weather bodies' do? (PhD)
  • Samuel Dobson:听How improvising musicians 'play what they hear': A phenomenology of sonorous musical imagination, ideation, and intention in action听(PhD)
  • Richard Hunter:听The cultural topography of entertainment: The Sydney theatre district 1880-1940听(笔丑顿)
  • Bridget Mac Eochag谩in:听Radicalising rape on stage听(笔丑顿)
  • Margie McCrae:听An Australian children's theatre: A case study(MA(Res))
  • Hayden Moon:听How do people embody the complexities of an intersectional identity through performance听(PhD)
  • Adam Moulds:听The rogue less travelled: The history of training writers at the National Institute of Dramatic Art听(PhD)
  • Jimena Puente-Trevino:听Los Empe帽os de una Casa(The errors of a house): Sor Juana In茅s de la Cruz (Mexico City 17th century theatre)听(MA(Res))
  • Harrison Werlemann-Godfrey:听Authenticity creativity and genre: An ethnography of classical music in Sydney Australia听(笔丑顿)

  • Joseph Appleton (2024):听Enduring Unpredictability (Losing the Present)听(笔丑顿)
  • Lawrence Ashford:听Towards a Poetics of Interactive Theatre: Recognising Audience Agency over Narrative听(笔丑顿)
  • James Dalton:听Medicine and its double: Doing dramaturgy with medical students in an Australian teaching hospital听(PhD)
  • Aine De Paor (2022):听Staging Ireland Down Under听(笔丑顿)
  • Peta Downes (2024):听Independent or Entrepreneur? The impact of economic rationalism on Australian fringe theatre practice听(笔丑顿)
  • Melissa Fenton (2022)听Behind the Red Curtain: An Ethnographic Exploration of the Global Musical Theatre Industry as a Workplace听(PhD)
  • Rowan Greaves (2024):听White Faces and Nervous Laughter: Subversive Comedy in Australian Performance听(MA Research)
  • Jesse Jensen-Kohl:听From the Pram to the world stage: The history and development of Circus Oz听(PhD)
  • Jeremy Johnson (2024):听Diane Cilento:Karnak and The Spirit of Performance听(笔丑顿)
  • Jiva Lath Namsal (2024):听Theatre of Nepal: Dynamic Interplay of Activist Aesthetic and Embodied Knowledges听(PhD)
  • Izabella Nantsou:听The subsidy question: Community theatre and the integral state听(PhD)
  • Sean O鈥橰iordan听(2024):听Shakespeare is Good for You 鈥 鈥楢n Olympic Course in Acting鈥 鈥 Shakespearean performance techniques as training tools in contemporary acting conservatoires听(M.Phil.)
  • Lucinda Petchell:听Embodied Cities, Citied Bodies: Assembling Urban Research through Movement听(PhD)
  • Kerrie Roberts (2022):听Shakepeare鈥檚 Hereditary Queen听(MA Research)
  • Garry Seabrook (2022):听The Complementarity of Being: A Reconceptualization of reality, the Present Moment, and Human Embodiment听(笔丑顿)
  • Lillian Shaddick (2024):听Leisurely Seeking听Duende:听Meaning making through the embodied experience of flamenco dance听(PhD)
  • Toby Wong (2024):听Performing exoticism in a globalised world: Puccini鈥檚 operas in the 21st century听(MA Research)
  • Ting Zheng (2024):听Transformational Role of the Dramaturgy between Drama Production Teams, Critics and Audiences in the Transitional Society of China听(PhD)

_self

Explore the major

h2

Find out more

cmp-call-to-action--ochre

_self

16th Rex Cramphorn Memorial Lecture

h2

Hear from John Collins on 16 March

cmp-call-to-action--grey

Manual Name : Associate Professor Laura Ginters

Manual Description : Discipline Chair

Manual Address :

Manual Addition Info Title :

Manual Addition Info Content :

Profile image : /content/dam/corporate/images/faculty-of-arts-and-social-sciences/schools/slam/laura-ginters-thumbnail.jpg

Manual Type : profile

alt

_self

Auto Type : contact

Auto Addition Title :

Auto Addition Content :

Auto Name : true

Auto Position : true

Auto Profile image :

Auto Phone Number : false

Auto Mobile Number : true

Auto Email Address : true

Auto Address : false

UUID :

Useful links

  • false
  • false

高清福利片

Our focus includes the expansive realm of performance and its intricate production and reception processes. Our areas of expertise include:

  • Australian theatre and dance history
  • Performance-making processes: theories of acting, dramaturgy, ethnography of rehearsal
  • Historical rehearsal processes and performance practices in Europe
  • Performance and health
  • Performance and social change
  • Placemaking and embodiment
  • Creative practice as research

Our facilities

The Rex Cramphorn Performance Research Studio is our fully-equipped studio facility available to external practitioners through our artist-in-residence program. 鈥淭he Rex鈥 is located on Level 1 of the John Woolley Building (A20). The studio can be accessed directly from Manning Rd.

Experience artistic collaboration at the Rex Cramphorn Performance Research Studio, where professional artists join forces with our staff and students to advance research in theatre and performance studies. Refer to the听听to stay updated on our projects and events.

The Rex Cramphorn Studio, named in honour of a brilliant theatre director and innovator, with significant ties to the discipline, is a versatile open space. This rectangular studio offers practitioners ample room for rehearsals, workshops, and performances, adapting to various formats with ease.

The Studio boasts a main sprung floor and a small foyer area with a kitchenette and toilets. There is also a mezzanine level housing toilets, changing rooms, and showers. The studio is well-equipped with a semi-flexible lighting grid, rated rigging positions, a new LED theatre lighting package with control, a ceiling-mounted data projector, an audio control desk, and a PA system.

Studio size specifications:听Length 12.7m | Width 8.5m | Height 4m.

The Rex Cramphorn Performance Research Studio

50

automatic

Link

The annual program of artist residencies in the Rex Cramphorn Performance Research Studio is curated and managed by the Placements and Project Coordinator, Dr Barbara Campbell. Artist residencies are offered with the expectation that artists engage with the teaching and research programs of the discipline; this may include student observation, skills workshops, research collaborations with academics, seminar presentations for postgraduates, or invitations to showings.听

Expressions of interest for Round 1 2026 Rex Cramphorn Studio Artist-in-Residence program are now closed. Only applications for residencies of three- or four-weeks duration between 12 January and 30 July will be accepted. Round 2 EOIs for August鈥揇ecember 2026 residencies will open in April 2026. Contact Barbara Campbell (barbara.campbell@sydney.edu.au) if you鈥檇 like to be sent an EOI form.

The discipline publishes a peer-reviewed journal,听About Performance, which provides an international forum for analysis, theory and critique by academic researchers and performance makers. We welcome articles that bring theoretical perspectives derived from other disciplines to bear on performance practice. The journal is published annually, and each issue is devoted to a single theme.

Distributed via听听补苍诲听. Editor:听.

Banner image:听Angela Goh,听Sky Blue Mythic, developed at the Rex Cramphorn Performance Research Studio for Keir Choreographic Awards, Carriageworks, 2020. Photo: Zan Wimberley.

Our people

  • Dr听
  • Associate Professor听
  • Associate Professor听

  • Associate Professor听, Chair of Discipline
  • Dr听, Undergraduate Coordinator; postgraduate enquiries
  • Dr听, Honours Coordinator

  • Associate Professor听
  • Dr听
  • Dr听
  • Ms听
ispopup: false More news ispopup:

Contact us

School of Art, Communication and English

John Woolley Building (A20),
The University of Sydney, NSW, 2006

Phone: 1800 SYD UNI (1800 793 864) (in Australia)听
+61听2听8627听1444听(outside Australia)听

Email:听sace.enquiries@sydney.edu.au

  • false
  • false
  • false
  • false