Shades of Black: Kaiya Aboagye
Kaiya Aboagye possesses an articulate intelligence that led to her roles as Policy Advisor for the Department of the Prime Minister and Cabinet and, more recently, Aboriginal and Torres Strait Islander Research Officer within the Research Collaboration and Development Team at the University of Sydney and Research Fellow at the .
She is the daughter of a Ghanaian man who crossed the Sahara Desert at the age of 17, journeying through Jerusalem, Israel, and Germany before settling in Australia.聽Kaiya is also the daughter of an Aboriginal and Torres Strait Islander woman from Erub Island and the Kukuyalanji people in Far North Queensland. She pays homage to her South Sea Islander ancestors who were kidnapped and traded in Australia's blackbirding slave history - a woman who also carries the bloodlines of freed Jamaican slave Douglas Pitt within her veins. Kaiya carries the histories and complexities of four cultural groups within her, and so her experience is painted in shades of black.
I remember the first time being called a n****r by a random old white man in the street standing by a bus stop. I was probably about 12 or 13 at the time, standing by myself and with a younger cousin. And it鈥檚 something my son is dealing with at the moment at school. It鈥檚 just a part of growing up in a country like this.
It鈥檚 an awful experience, and one that no one should have to go through. And yet, Kaiya shrugs it off and instead talks to the rich vibrancy that paints her childhood.
鈥淢y home and personal family life was so rich and steeped in culture and community. My parents were always involved in community-building and the sort of people who brought everyone together. I have memories of Ghana Association meetings happening at our place and at the same time, my mum was the president of (NAISDA) Dance College and we met a lot of extended family and friends through her position in that organisation.
"A lot of singing and dancing happened at our place because growing up we lived next door to the Glebe town hall and so my parents used that space a lot for family and community events. There was always this intermeshing of Ghanaian people, Island mob and Blackfullas聽converging in our family home so weekends were Ghanaian parties that always included dancing and sitting in the NAISDA dance theatres, watching students learn contemporary and traditional dance. NAISDA brings cultural dancers from all over Australia as well, in particular I was exposed to a lot of Yolngu culture through NAISDA and I learnt a lot of different Island songs and dances. At the same time, I saw all the cultural festivities of the emerging Ghanaian Australian community in Sydney.鈥�
Kaiya鈥檚 is a story that speaks to the interconnected, invisible stories of Blackness that exist in this country. Rarely heard in mainstream discourse, the experiences of the global African diaspora in Australia are often relegated to the margins of history鈥檚 pages. These stories are what Kaiya aims to uncover in her thesis 鈥淔inding Aboriginal Australia in the Global African Diaspora: Race, identity and Aboriginal Australian connections to Africa鈥�.
Sometimes, racialised ethnic minorities get placed within a singular story, which is so vividly contrasted to the lived realities of my family's personal story. It wasn't until I got to university and started building up that critical consciousness that I started thinking, 鈥楾hat鈥檚 not true. That鈥檚 not the reality I鈥檝e experienced. That鈥檚 not an accurate representation, our communities are really different from the stereotype that鈥檚 portrayed about us.
鈥淚 wanted to retell that narrative in a way that was more uplifting and empowering and spoke more deeply to the lived reality of people whose lives are enriched with meaning, fulfilment and empowerment.
"It鈥檚 not to say that the stark realities of all the disadvantaged aren鈥檛 there. However, I believe that to make that the single story or central narrative displaces all the other more interesting and uplifting elements of our communities.鈥�
Telling these stories is Kaiya鈥檚 way of contributing in a country where race relations seem to be progressively getting worse. A country where is Aboriginal. Where people believe that some races are inferior or superior to others. A country whose government tried to that would have made it no longer illegal to "offend, insult or humiliate" people based on their race. 聽Where the ongoing media coverage of Sudanese 鈥済angs鈥� in Melbourne depicts a city overrun with Black criminals. And yet, according to data from the , only 1.1% of crimes in Victoria are committed by those born in Sudan. In fact, Australians and New Zealanders make up 75.5% of the offending population.
Is racism in Australia becoming more of an issue? Kaiya believes it is.
"I don鈥檛 recall how it has been better in the past. I think it鈥檚 an ongoing continuation of what has been the historical status quo. The statistics speak for themselves and when you look at the empirical data, there鈥檚 no starting point for where it was ever good.
鈥淚t鈥檚 part of the legacy and foundational narrative of this nation. When you look at the way the nation was formed and the nature of dispossession and colonisation in Australia, it relied (and still relies) on the need to exclude the Indigenous existence.
Australia was founded on a legal fiction called 鈥渢erra nullius鈥� which means 鈥渓and belonging to no one鈥�. It is this legal myth that marks the start, trajectory and approach taken to race relations in this country.
鈥淚 believe that Australia is one of the most racist countries in the world, particularly if you鈥檙e coming out of the basis of the Aboriginal or migrant/refugee standpoint. How is okay it that in some places Aboriginal people still live in extreme poverty that is equivalent to 'fourth world' conditions worse off than places in Africa? Australia is often reported as this great country and we鈥檝e got all these things and opportunities and 鈥業t鈥檚 so beautiful鈥�. But you have to question your own standpoint in that statement. It鈥檚 a great country for who?鈥�
Questioning long-held values and assumptions is something that will be uncomfortable for many. However, it is crucial if we are to move forward as a truly multicultural society.
鈥淭he plight of colonisation, dispossession and slavery are all these big historical processes which have been deep and intergenerational. They鈥檝e left wounds on the souls of the people who have been subjugated by them.
"I think it starts with an honest conversation and creating a space where the process of healing trauma and recognition can happen truthfully. Where there isn鈥檛 a denial that this is the current state of play. That this is how severe and dire the situation is at this moment. We say we support values of freedom, liberty, democracy and a fair go and all these big concepts but when you see how disproportionate the statistics are in terms of Indigenous issues and cruel, punitive refugee policy you should be alarmed. And if you鈥檙e not alarmed, then you鈥檙e not informed well enough.
"If you don鈥檛 understand the severity of these matters and why it鈥檚 an issue of human rights, then that needs to be your personal starting point. I think people need to question where they will position themselves within that continuum of contributing to making society more equitable and just and fair.鈥�
Kaiya Aboagye will appear as a panellist in the University of Sydney鈥檚 series, sharing her thoughts on racism in Australia.
She is currently undertaking her PhD at the University of Sydney, which you can read about聽.
will be held on 22 November 2018 at The Old Rum Store, Chippendale.
Article by Theodora Chan (BA, MECO 2010; BA, HONS 2012), Co-Founder and Content Director at Pen and Pixel.
Disclaimer: The author of this article recognises the great diversity among different Indigenous communities and societies of Australia. The use of the term 鈥淎boriginal鈥� is not intended to obscure these complexities, but rather the stress the humanity of Aboriginal and Torres Strait Islander peoples as there is currently no Aboriginal word that refers to all First Nations peoples in Australia.