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If the current state of cinema is Jason Statham fighting a giant, prehistoric CGI shark named 鈥楳eg鈥� than 2018鈥檚 (SUFF) is set to be a Mick Fanning-approved punch to the face of the blockbuster. The annual event showcases the latest in independent and experimental cinema and this year鈥檚 program is the perfect snack for all cinephiles.

Like a fresh box of Favourites, this year features an assortment of delights including Nicholas Cage鈥檚 latest pulpy horror flick, music docos and short films from our very own University of Sydney students and grads!

For the *cultured* there are workshops on and the possible as well as the inaugural conference, talking all things screen culture and technology, so you can learn how to finally chat with the F.B.I agent behind your webcam! There鈥檚 also a to legitimize your Crunchy Nut obsession. Go on, dig around that purple box, there鈥檚 something for everyone (just hope it鈥檚 not a Dream) and read on to see our top 6 film picks!

USA, Director: Panos Cosmatos

If this film was a classic emoji filled Instagram caption it would be the knife, the snake and the purple magic fortune ball thing. In the latest addition to the Nicolas-Cage-flips-out biography, features a telekinetic bikie messiah hell and a killer prog rock soundtrack. In what looks to be a giallo meets Manson murders meets Neon Demon horror mashup, this otherworldly flick will be screening on closing night. And if Cage wielding a chainsaw gets too much you can always hide behind your free ice-cream.

USA, Director: Daniel J. Clarke

This US documentary swaps tin foil hats for hard investigative journalism as it examines the growing group of flat earth conspiracy theorists. Without mockery, the film takes an in-depth look at the society鈥檚 rapid expansion and increasing popularity amongst public figures including B.o.B and NBA star Kyrie Irving. Balancing flat earthers with opinions from scientists and astrophysicists, feels like the legitimate, I-can-talk-about-this-in-my-tutorial-alternative to watching Shane Dawson conspiracy theory videos till 4am.

Australia, Director: Jack Moxey

From its moody black and white trailer, looks to be a modern Aussie take on Harmony Korine's cult-classic Kids. In his directorial debut, Moxley鈥檚 film focuses on popularity seeking high schoolers as they nonchalantly plan their weekends whilst the body of their classmate is abandoned in bush nearby. Bugs feels like how a baby boomer鈥檚 nightmare would envision snapchat addicted adolescents, or if a David Lynch protagonist found a severed ear in Kath and Kim鈥檚 backyard and then complained that there weren鈥檛 any paddle pops left in the freezer.

France, Director: Coralie Fargeat

On a relentless mission to subvert the revenge rape and exploitation genre, Anya Stanley of Dread Central said , 鈥済auges the male gaze out of our eyeballs鈥�. Dusty, bloody and empowered, this film looks to be one of the SUFF standouts. French female filmmaker, Coralie Fargeat viscerally encaptures a desert feminist Lolita and shows what happens when men underestimate women, especially those bloody and in combat boots. A violent and exhilarating portrait of empowerment, this film emerges a shouldering phoenix from the #metoo ashes.

Norway, Director: Reinert Kill

With the questionable beliefs of extended family members, highly flammable tinsel near the BBQ and the dry horror of fruit cake, Christmas is already terrifying. takes this to a whole new level with a gore and festivity loving, Santa serial killer. When the director鈥檚 name is Reinert Kill it鈥檚 not surprising that this film used over 150 litres of fake blood. Blending Norwegian noir with the joys of holiday themed murder Christmas Blood is set to satisfy your scandi aesthetic needs and scare you into leaving biscuits and milk out every night of the year.

Canada, Director: Guy Maddin, Evan Johnson and Galen Johnson听听听听听听听听

In a quasi-narrative pastiche, pays tribute to Hitchcock鈥檚 Vertigo and is a quintessential SUFF experimental film. Using an eccentric assemblage of images from dozens of San Francisco television and film scenes, Maddin creates a self-termed 鈥減arallel-universe version鈥� of Hitchcock鈥檚 original, entwining viewers in its uncanny yet nostalgic collage. With surreal silences, awkward gestures and dramatic zooms, The Green Fog is the art house equivalent to those iconic YouTube videos where someone has edited all the dialogue out of Shark Tank and Dr. Phil.

What would SUFF be without some delightfully depraved short films? This year is no exception with stories about bored clowns, lost virginities and female superheroes fighting a tampon monster. There鈥檚 also a documentary that journeys into the marketplace of used underwear, see, something for everyone. Special shoutout to the works of and students and grads, including Chris Bonador鈥檚 experimental and Andrew Robards鈥� , a phantasmagorical collision of television commercials and science how to鈥檚.

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The 2018听 runs from 13鈥�16 September at the Factory Theatre in Marrickville.

Follow Arts and Social Sciences on for festival coverage from Lily and Michael.

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