Aboriginal and/or Torres Strait Islander people are advised that this exhibition and images on this webpage may contain the images of people who have passed away.聽
This exhibition presents Yanyuwa Garrwa elder Miriam Charlie鈥檚 2019 photographic series, 鈥楾he Promise of Housing鈥. Also named 鈥楲i Bardawu (The Houses)鈥, or 鈥楳y Country No Home, Still Waiting鈥, the collection showcases portraits of First Nations residents and their houses in the gulf town of Borroloola in the Northern Territory.
House 14 Yanyuwa Camp,听by Miriam Charlie, 2019. Polaroid photo with handwritten notes.聽Courtesy the artist and N.Smith Gallery, Sydney
Building on her 2015 portrait series, 鈥楳y Country No Home鈥, Charlie鈥檚 polaroids represent the housing in Borroloola鈥檚 town camps and the residents who must endure broken things while waiting for necessary repairs and new houses. As Charlie states, 鈥楾he Polaroids are like a family photo album but they show the broken things in people鈥檚 houses. We have to wait to have these things fixed. Things are broken while we wait for new houses. It鈥檚 that waiting business. You鈥檝e got to wait so long.鈥
Charlie鈥檚 photography is complemented in the exhibition by historical materials curated by the Housing for Health Incubator from various archives. The archival materials situate Charlie鈥檚 project in a longer history of settler state infrastructural neglect, and as the latest in consistent efforts made by town camp residents to demand sustained attention to housing provision and infrastructural maintenance.
This exhibition was made possible with assistance from Housing for Health Incubator, University of Sydney, Arts NT, Department of Tourism, Arts, and Culture, NT Government - Emerging Artist Grant 2019
Top image:聽Borroloola sheeting team on single room huts,听Image courtesy of the National Archives of Australia. NAA: E460, 1986/82
Panel Discussion: Saturday 23 April,听12:30 - 2pm, Tin Sheds Gallery
Discontent over continuing racial segregation at the cemetery.聽鈥淟etter. Borroloola community members to the Department of聽Aboriginal Affairs,鈥 15/10/1987.
Image courtesy of the National Archives of Australia. NAA: E460, 1988/224
This panel is inspired by Yanyuwa Garrwa artist Miriam Charlie鈥檚 exhibition, 鈥楾he Promise of Housing鈥, showing at Tin Sheds Gallery from 6 April to 14 May, 2022. Charlie鈥檚 photographic series documents the condition of housing at Borroloola, Northern Territory, while residents wait for necessary repairs and maintenance and new housing stock. Responding to Charlie鈥檚 series, panelists Liam Grealy, Jason De Santolo, Andrew Brooks, Astrid Lorange, and Naama Blatman will consider the history, causes, and contemporary experience of bureaucratic delay and waiting, as a symptom of infrastructural inequality in settler colonial Australia.聽
Waiting is never neutral. We should always consider: who is required to wait, for how long, and under what conditions? Waiting is the underside of a promise, of an implied social contract or a literal commitment of policy. The promise of repairs, of a hearing, of rights, citizenship, and land back. Waiting for such promises to be delivered is subject to all manner of delay, neglect, and abandonment, by anarchic, punitive, and shapeshifting settler governments. The promise of infrastructure, in particular, is often highly speculative, with commitments compromised and withdrawn, and temporalities of delivery revised and deferred. In queues, with broken things, at borders, and in remote communities, those forced to wait develop and enact tactics of complaint, organising, and refusal that accelerate the provision of infrastructure and reject the legitimacy of that provisioning altogether.聽
Hole in the Ceiling H14,听by Miriam Charlie, 2019. Polaroid photo with handwritten notes.聽Courtesy the artist and N.Smith Gallery, Sydney
Miriam Charlie
Friday 8 April,听2-3pm, Tin Sheds Gallery
In this talk, Yanyuwa Garrwa artist Miriam Charlie will describe her photographic series 鈥楾he Promise of Housing鈥, which continues her documentation of housing in the town of Borroloola, Northern Territory. Using Polaroid photography, Charlie represents the health hardware failures that residents are forced to endure in their homes while waiting for requested repairs and new housing to be constructed.