'Ochre Spinifex & Foil' presents new pathways in Australian design knowledge arising from the two-way exchange of Indigenous and non-Indigenous science.
Across the main space of the gallery, visitors will move between the spinifex and foil exhibits, to a darkened tableau of ochres in an adjoining room.
Simultaneously, visitors will move between three design agendas concerning: the ethical exchange of scientific and cultural knowledge (the conservation of ochre); the legal place and protection of traditional intellectual knowledge (the commercialisation of spinifex); and the exercise of discretionary knowledge (the delineation of the architectural dressing).
The applied research selected for display is styled by skilled practitioners working in Australian conservation, manufacture and architecture.
It is selected for its design quality. It is selected for its capacity to contest incorrect or anachronistic notions of cultural materials. And it illustrates the new knowledge that has evolved in Australian design disciplines over the last decade concerning questions of authenticity, preservation, cultural capital and energy efficiency. This nationally-significant design exhibition is an exclusively Australian exposé of ochre, spinifex and foil.
Ochre, Spinifex & FoilÌýis presented by the University of Sydney Faculty of Architecture, Design and Planning in association with the Tin Sheds Gallery in support of the University’s 2015 Aboriginal and Torres Strait Islander Integrated StrategyÌýWingara Mura-Bunga Barrabugu,ÌýThinking path to make tomorrow.
Warmun Art Centre
Gija Contemporary Art, Warmun WAÌý
Robyn Sloggett
Director, Grimwade Centre for Cultural Materials Conservation, University of MelbourneÌý
Alex Byrne
NSW State Librarian and Chief ExecutiveÌý
Gina LevenspielÌý
OSF CuratorÌý
The Myuma GroupÌý
Camooweal QLDÌý
Paul Memmott
Director, Aboriginal Environments Research Centre, University of QueenslandÌý
Terri JankeÌý
Solicitor Director, Terri Janke & CompanyÌý
Alison Page
Founder, National Aboriginal Design AgencyÌý
Kevin O’BrienÌý
Director, Kevin O’Brien ArchitectsÌý
Ken McBrydeÌý
Principal, HassellÌý
Michel BostromÌý
Foundation Director, Aluminium Foil Insulation AssociationÌý
Michael TawaÌý
Sydney School of Architecture, Design and Planning, University of SydneyÌý
Jakelin TroyÌý
DVC (Indigenous Strategy), University of Sydney, Acknowledgement of CountryÌý
Metropolitan Local Aboriginal Land CouncilÌý
Welcome to Country
This project is an initiative of Michael Tawa (Sydney School of Architecture, Design and Planning) and Shane Houston (Deputy Vice-Chancellor Indigenous Strategy and Services). The OSF exhibition and symposium is curated by Gina E. Levenspiel. We gratefully acknowledge the exhibition collaborators in particular: The Myuma Group & the University of Queensland Aboriginal Environments Research Centre & Australian Institute for Bioengineering and Nanotechnology; Warmun Art Centre & the University of Melbourne Grimwade Centre for Cultural Materials Conservation; Ametalin; and the individual efforts made by Jakelin Troy, Robyn Sloggett, Dr Alex Byrne, Paul Memmott, Terri Janke, Alison Page, Kevin O’Brien, Ken McBryde and Michel Bostrom, whose knowledge has benefitted the project enormously.